How closely did you collaborate with the developers?
We worked fairly close with Fabrice Cambounet, Sylvain and Thomas at Ubisoft.
They had some good ideas for the direction of this game and came up with the
idea of having a “Theme” based score similar to film. On the previous games, we
pretty much just wrote songs from the heart for everything. On HOMM V, we came
up with a Main melodic theme and two sub themes and wrote the score around
those.
Which are the tracks with which you are the most satisfied with?
For me it is the Academy, the Haven, Sylvan ,and the main title theme. Our good
friend Karin Mushegan returned to do a solo vocal on Haven. She has been on all
the Heroes games since HOMM II. Back then she was only 17, I believe. Now she is
a professional singer working in Philadelphia and New York. The choir we
recorded for the Main theme was great, as well as Fang Fang XU who played the
Solo Cello through the score. I really enjoy the new battle and siege themes as
well. Another favorite is the grass adventure theme. The melody is just so
sweet, and we like sweet.
Will HOMMV offer more music than the previous ones?
Yes, a full two hours!
How does your collaboration with Paul Romero go? What other musicians did you
collaborate with?
We usually just sit around reading gossip magazines like US weekly and Enquirer
discussing music direction while reading the misfortunes of celebrities.
Seriously… In some cases Paul comes to the table with some brilliant ideas and
we work out the arrangements, or I might have an arrangement of drums completely
laid out with melodic ideas that we work from. We have two workstations here at
the studio and usually we are both doing something on the song then go back and
forth on both rigs. There really isn’t any certain way of doing anything, just
get it done fast, you know? When we use other musicians, the arrangement is
usually done and tracked in advance, and we replace the sampled parts with the
appropriate musician. On the main theme, we actually just did a choral
arrangement to a click/piano track, recorded it at a studio and brought it back
to our studio and wrote the music around the vocals. Pretty tricky but I
actually enjoyed the results. It lets you think a bit differently about the
musical parts.
Are the songs performed by real lyric singers? If yes, how did you select
them?
Yes, they are all people Paul and myself work with on a regular basis. Top-notch
players, every one of them.
What is your favorite instrument while composing HOMM music ?
Always the Cello.
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