++ MISSION 6: HOKKAIDO, JAPAN ++
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PRIMARY OBJECTIVES:
[ ] DISCOVER THE REAL IDENTITY OF MILAN NEDICH
[ ] ABDUCT ABRAHIM ZHERKEZHI
[ ] ELIMINATE MILAN NEDICH
[ ] ELIMINATE DOUGLAS SHETLAND
[ ] EXFILTRATE TO THE PRIMARY EXTRACTION POINT
SECONDARY OBJECTIVES:
NONE
OPPORTUNITY OBJECTIVES:
[ ] RETRIEVE THE HIDDEN MICROPHONES
++++++++++++++++++++++++
Welcome to Japan! Land Of The Rising Sun!
++ AREA: OUTSIDE ++
From where Sam starts, head through the trees and look up to see a
guard on a rocky perch. Sneak underneath him and continue up to the
house.
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++ AREA: INSIDE HOUSE #1 ++
Head inside and through the door until you see your first guard. Stay
in the shadows until he walks outside. BUT DO NOT FOLLOW HIM!
Instead, go up to the candle across from you and BLOW CANDLE to darken
the room. This will startle both guards and will lure them away from
the two cars outside.
--OBJECTIVE: SCAN LICENSE PLATES
As the two guards are about to investigate the room, quickly head
outside and hide behind the car. SCAN PLATES for both of them to finish
this objective (or use EEV).
AREA: HOUSE #2
There are three different ways to enter the next house:
#1 - Jump on the porch and then hop over the window. You'll see a
CRAWLSPACE right there.
#2 - Take the direct route and enter the front door
#3 - Take the underground route. On the left side of the house is an
underground area that you can enter and then emerge to the other side.
This one is my sneakiest:
After scanning the plates, head for the house across House #1 and jump
onto the porch. See that open window? Jump over it to an empty room.
Notice the CRAWLSPACE there? Enter it to the next area.
--SUB-OBJECTIVE: FIND HIDDEN MICROPHONES (SIX TOTAL)
As you emerge out of the CRAWLSPACE, wait for the patrolling guard to
pass by then grab and knock him out.
Hide the body near the CRAWLSPACE. Slowly head down and you'll notice a
guard scanning for microphones.
Jump over the window and grab and knock him out. Turn on EMF Vision to
spot a MIC (#1) behind a Scroll.
Now leave the area (look for a Red curtain) and continue through the
rooms to a large balcony. Jump over the nearby window into the room and
wait for the conversation to end. One soldier will patrol outside and
the other will scan for Mics then use the toilet.
Turn on EMF Vision to find a MIC (#2) behind a Scroll in this room.
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++ AREA: OUTSIDE ++
There are two different ways to leave this room:
#1 - Head through the hallways past the kitchen and open SLIDE OPEN the
door to an open Courtyard.
#2 - Head into the Toilet that the guard went into (you have to knock
him out first!) to find two CRAWLSPACE vents (one leading outside and
the other leading to the kitchen).
Either way you choose is fine. You'll end up in a large open Courtyard
with a two soldiers and a civilian doing Yoga (or something similar).
Silently make your way to the house across the courtyard (use the OCP
on the large lightpost near the front door).
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++ AREA: HOUSE #3 ++
In this House, you'll find a large Buddha statue. On the wall behind
the Buddha statue is a CRAWLSPACE. Ignore this for now and continue the
next objective:
--OBJECTIVE: ELIMINATE MILAN NEDICH
Head down the hall from the Buddha and you'll overhear Milan on the
other side. Head for the door BUT DON'T ENTER! There's a CRAWLSPACE
next to it, so USE IT! Crawl through to eavesdrop on Milan.
To eliminate Milan without bloodshed, wait for him to finish his
conversation with the guards and then he will retreat to the bathroom
across from you.
One guard will exit and one will stay. When the guard's back is turned,
grab and knock him out. As for Milan, see his shadow on the paper-thin
material? Slowly sneak up behind the paper material and GRAB him.
INTERROGATE him and then knock him out (hide his body!).
As you exit this room, turn on Thermal Vision to see a guard behind the
paper-thin material door and another guard wandering around.
Knock them both out.
--SUB-OBJECTIVE: FIND HIDDEN MICROPHONES
Before leaving the Buddha room, search the rooms for a MIC (#3; it's on
the wall next to the telephone).
Now enter the CRAWLSPACE behind the Buddha to the next area.
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++ AREA: MINI-GREENHOUSE & LIVING ROOM AREA ++
Eliminate the guard here in any way you like. Hide his body and
continue through to a set of bedrooms and a large living room. There
are two guards and one civilian in this area.
Turn off the lights first and then slowly enter the second open doorway
with the guard. Knock him out and then head for the living room. Knock
out the guard watching TV (or don't).
Behind the couch that the guard sat on is another Scroll with a MIC
(#4). Search the other room for another MIC (#5). Exit the area.
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++ AREA: HOUSE #4 ++
Leave the area to the house next door with the stairway. Instead of
heading upstairs, enter the door downstairs to a sort of Art studio.
Turn on Thermal Vision to find another MIC (#6) behind a Scroll. Go
upstairs and eliminate the guard.
Head for the doorway and go inside. Eliminate the guard in here and
look for the room with the toilet supplies, a Med-Kit, and a
CRAWLSPACE.
Heal yourself up and enter the CRAWLSPACE to the other side.
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++ AREA: TEAHOUSE ++
--OBJECTIVE: ABDUCT ZHERKEZI/ELIMINATE SHETLAND
If you followed this walkthrough, then you didn't fire a single bullet
from the SC-20K. But equip it after you exit the CRAWLSPACE and shoot a
Sticky Shocker at the guard down below.
Jump down and run for the Teahouse entrance. Go inside and chase after
Douglas. As you exit the building, slowly approach the area (with the
two cars) because there are guards here.
You'll miss the last objective but you're Mission is already complete.
--OBJECTIVE: EXTRACTION TIME
Go back to the area where you started the Mission.
______ _____ _ _ _____ _____ ______
| ___ \(_____) | | | | (_____) ___ \| ___ \
| | _ | | _ \ \ \ \ _ | | | | | | |
| || || | | | \ \ \ \ | || | | | | | |
| || || |_| |_ _____) )____) )| || |___| | | | |
|_||_||_(_____|______(______(_____)_____/|_| |_|
______ _____ ______ ______ _ _______ _______ _______
/ _____) ___ \| ___ \(_____ \| | (_______|_______|_______)
| / | | | | | _ | |_____) ) | _____ _ _____
| | | | | | || || | ____/| | | ___) | | | ___)
| \____| |___| | || || | | | |_____| |_____| |_____| |_____
\______)_____/|_||_||_|_| |_______)_______)\______)_______)
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